Tag: Women’s Literature

  • Review: Promising Young Women

    Review: Promising Young Women

    Like with most stories that start with a twenty-something London-based office worker navigating the breakdown of a long-term relationship, your mind settles in for a harmless piece of Chick-Lit. And then Caroline O’Donoghue’s Promising Young Women knocks you off-centre by turning into something else entirely.

    The praise on the book’s sleeve repeatedly uses the word “gothic.” Thanks to a module I did in my final year at Swansea (brilliantly named Uncanny places and cyberspaces: Gender and the fantastic) I’m well aware that gothic tropes aren’t limited to stories set in haunted houses in the nineteenth century, but even so Promising Young Women does something totally refreshing with ideas of uncanniness. It’s a novel that proves how relevant gothic images, like starving women fading away, mirrors, periods and other bodily fluids, continue to be relevant and effective at portraying contemporary crises.

    “I don’t have a boyfriend or a fabulous career, and I think she’d like some better adjectives to describe me to her friends with.” – Promising Young Women

    At first, the book doesn’t have the most groundbreaking plot you’ve ever heard of (woman’s anonymous blog seeps into her real life) but O’Donoghue gradually gets under your skin as she tells Jane’s story. A story that while almost fantastical is likely to be relatable and understandable for any young working woman.

    The darkness and depth of this book creep up on you and by the time you’ve realised, you can’t put it down. Dealing with power imbalances (professional and romantic), mental illness and the false security of the Internet’s anonymity, this debut novel makes O’Donoghue one to watch.

  • Review: The Cows – Dawn O’Porter

    Review: The Cows – Dawn O’Porter

    Don’t you just hate it when you pick a random book off of your TBR pile and then accidentally enjoy it so much it becomes one of those drastically transformative reads? Me neither. It’s so amazing when that happens, especially when you’re not expecting it. Well recently (i.e. this weekend) Dawn O’Porter’s The Cows did this for me.

    “Bra free, childfree, boyfriend free, have you ever committed to anything other than your laptop?”

    As a piece of contemporary fiction, it’s my kind of mix. Funny as hell, some serious feminist debate, compelling plots (and plot twists), predictable one moment but then totally unexpected the next and, importantly, it has a brilliant balance between messy, drunken, female tomfoolery and sentimentality – it’s the most entertained I’ve been by a contemporary novel in a long while. Having three protagonists (Tara, Stella and Cam) keeps you on your toes, gasping and chuckling with every turn-of-page. You’ll find yourself saying, “noooooo” a lot too, but a minute later you’ll be nodding and wanting to fist bump O’Porter.

     

    It was interesting to me in particular for a couple of reasons. It was jam-packed with discussions of female sexuality, particularly surrounding motherhood (and non-motherhood). The fact that each of the protagonists has a different opinion or experience with the same issues demonstrates a few of the multifaceted forms that twenty-first century femininity, feminism and female sexuality can take. There are plenty more of course, but it’s refreshing to hear multiple perspectives from one source. One of the ‘morals of the story’ is that just as a woman can choose to want or not want children, she also reserves the right to change her mind. Feminism is about choice, as we hear so often, but for some reason we still give women a hard time when they change their mind. Isn’t changing your mind a fundamental part of choice?

    “There’s nothing I can do to make Mum feel better, I am who I am. I’ve told her multiple times not to read my blog but she keeps doing it. If it tortures her so much she should just stop.” (Cracked me up big time, sounds like conversations in my house back when I started #Periodically. Hi Mum!) 

    On a much more personal note I enjoyed The Cows because in it I found a book that sounds a bit like my own novel – bingo! One reason I think I have been struggling with pitching my book is that I wasn’t sure how to categorise it, but now I’ve found a book that I think comes from the same family. I’m hoping reading The Cows might give me a much needed kick up the arse.

    For everything from public masturbation to motherhood, smelling of cheese to overly keen toy-boys, I highly recommend The Cows and following Dawn O’Porter’s other journalism.

    Order The Cows from Wordery with my affiliate link.