Tag: Hag-Seed

  • Favourite Reads of 2018 So Far

    Favourite Reads of 2018 So Far

    Somehow, we’re already over half-way through 2018 and as the summer holidays approach I’ve had lots of people asking me what books they should read on holiday. So for this blog, I thought I’d try and pick my five favourite books from the first half of 2018, whether or not you fancy reading them on holiday is up to you.

    Homegoing – Yaa Gyasi

    Let’s start with one I actually read on holiday, shall we? My general rule is that if a book is recommended to me by two or more people in a short space of time then I should ignore the pile of unread books next to my bed and read it immediately. As was the case with this beautiful book. Homegoing traces two parallel family trees through every generation from the colonised Gold Coast to twenty-first century Mississippi. The stories in this book intertwine seamlessly, to reveal how slavery and colonialism leave indelible traces. So much happens in so many different places (in the world and in time) and yet every character in Gyasi’s book is fully formed and deeply complicated. Homegoing is a really special book.

    There’s also lots of interesting period commentary in this book if you’re here for the #Periodically blogs.

    The Cows – Dawn O’Porter

    I’ve talked about this book a lot since I read it in January, so why would I stop now? Everyone I’ve recommened The Cows to so far has loved it and it always kickstarts some really interesting conversations about motherhood, womanhood and, for want of a better word, unmotherhood. The book has a twist that literally dropped my jaw – I’ve had texts of shock as each of my friends have reached this page. Want to know what the twist is? Well, you’ll have to read it.

    Read my full review of The Cows here.

    Chanson Douce – Leïla Slimani

    In English this book is called Lullaby – you’ve probably heard of it as it’s been all over the place with headlines like, “The Killer-Nanny Novel that Conquered France.” It’s such an unusual, gripping and dark book. Thrillers are not usually my cup of tea, but I might have to reconsider that after Chanson Douce. The social, political and moral issues it explores give this book a real edge. This was one of the first contemporary French novels I’ve read and now I must read more. 

    Hag-Seed – Margaret Atwood

    This half-play half-novel is a retelling of Shakespeare’s The Tempest and is Atwood like you’ve never read her before. Set in a Canadian prison, this contemporary retelling uses Shakespeare’s themes and Atwood’s skill to create something brand new and brilliant.

    Read my full review of Hag-Seed here.

    Why I’m No Longer Talking to White People About Race – Reni Eddo-Lodge

    If you’re looking to swatt up on BME history in the UK this book is a great place to start. Eddo-Lodge’s voice is so refreshing and hard-hitting, informed yet digestible that it creates something truly unique. Her chapter on White Feminism was particularly poignant to me, as well as her discussion about how it’s no longer enough to simply just not be racist. I loved it so much that I then binged her podcast About Race, which I also recommend.

     Like the sound of these books? Buy them now from Wordery.

  • Review: Hag-Seed – Margaret Atwood

    Review: Hag-Seed – Margaret Atwood

    In October 2017 I was lucky enough to hear Margaret Atwood speak and to get a book signed. While Atwood was finishing off her interview my mum ran off to buy a few books for us to get signed. Since I had already read Oryx and Crake I landed with Hag-Seed, a recent Atwood book that had somehow completely passed me by when it was published. I had never even heard of it and googled it while we queued. It’s a re-telling of Shakespeare’s The Tempest. Groovy, I thought.

    Now I’ve finally read it, I’m so glad this is the book I have signed. I will be recommending it to everyone, Shakespeare and Atwood fans or not. Hag-Seed follows the vengeful Felix (or Mr Duke) as he puts on Shakespearean plays in a local prison, all in the hopes of getting his own back on his former colleagues (now national politicians). The layers in Hag-Seed are intense, especially when you consider the layers of The Tempest. It is essentially a novel of a play of a play of a play. There might even be another few plays in there.

    Not only is it a fascinating contemporary re-imagination of The Tempest, Hag-Seed also provides some provocative observations about criminal justice systems, parental grief and, (obviously, it’s Atwood) gender. Towards the end there’s a moment involving a few puppets, and I couldn’t help but get some Angela Carter’s The Magic Toyshop vibes – I would love to know if that was intentional or not.

    Since reading The Handmaid’s Tale at high school, I have considered myself an Atwood fan, but as I’ve mentioned before I have actually struggled with some of her other books, like Oryx and Crake and Lady Oracle. The easy-nature of Hag-Seed was so refreshing and enjoyable, plus I think it’s amazing how it doesn’t even sound like the voice I usually expect to hear from Atwood. I find it really fascinating how so many diverse voices and stories can come from one writer – I hope that is something I might one day achieve myself.

    Buy Hag-Seed and other books from Wordery by using my affiliate link.