Tag: book blog

  • Is there more to #Bookstagram than judging books by their covers?

    Is there more to #Bookstagram than judging books by their covers?

    If you have the misfortune of following me on Instagram, you might have noticed that since the New Year I’ve been making a pathetic, desperate and not entirely successful attempt at being accepted into the enigmatic world of #Bookstagram. Social networks have always fascinated me, I wrote 5000 words on Twitter for a project at school when I was 17, but with my latest adventure I didn’t expect a social media niche to feel so much like a hobby.

    What is Bookstagram, you ask? It is essentially a hashtag, or a group of hashtags, on Instagram where people share pictures of books. The Bookstagram tag itself boasts more than 18 million pictures of books, bookshelves and book lovers with their books. Other hashtags like #Bookish, #Bibliophile and #Shelfie also have hundreds of thousands, if not millions, of regular bookish users. Now most people when trying to enter the wicked world of an Instagram community will make a separate Instagram account. I however couldn’t be bothered with flicking between accounts, and expecting my venture with the fad to only run for a limited time I have, much to the annoyance of my family, just used my ‘personal’ account for this latest venture.

    My interest in ‘joining’ Bookstagram came from the question that kept hitting me as an observer: “is there more to Bookstagram than judging books by their covers?” In my experience so far, yes, but also no. It’s true that there are definitely accounts that seem to only share pictures of books they have never read (but that are indeed very pretty). Sometimes this can be with the really successful accounts that are inundated with advanced copies from publishers, so it is an understandable and perhaps unavoidable TBR situation.  There are, however, many more who are using the social media site to promote books they love, discuss books they hate, have sometimes very serious literary debate and explore how book publishing is going to survive in a digital age.

    That’s what I think is really interesting about the Bookstagram ‘craze’ – it’s giving new life to an ancient art form. When Kindles and other e-readers began to gain popularity a few years ago, I was one of many people throwing hissy fits about how you can’t beat a real book. After a while, I began to accept that e-readers must be the future of reading, but then I discovered Bookstagram. Maybe it’s just a big cooperate conspiracy by big publishing houses to sell books, but Bookstagram has put a twenty-first century twist on an potentially outdated art form. I may even be as bold as to say that it is saving the art of reading (not writing, reading) by making art of reading – and I don’t think there is anything wrong with that.

    The other thing I’ve learnt is that it’s bloody fun. Trying (and often failing) to think up and execute creative ways to photograph books that have already been shared thousands of times is an exciting challenge. While I’m not sure I can compete with the big-leagues or that the move will be permanent for my Instagram page itself, I have really enjoyed my foray into the Bookstagram universe so far. I think it also puts pressure on publishing houses to get really creative with their covers and it seems to be working. With every reprint of a book I already own I am getting serious book envy. The only major downside I have noticed, and perhaps experienced myself, is that members of the community seem to put a lot of pressure on themselves to read huge amounts annually and monthly. That ain’t good – quality over quantity, always.

    If you want to see what I’m talking about check out the #Bookstagram feed on Instagram, follow me or even better follow some of these brilliant account that post engaging and stunning bookish photos and entertaining captions on the regs – they are all super interesting and have book collections that will make you drool:

    Lotte: @lottelikesbooks

    Rima: @pardonmywritings

    Jack: @that.english.guy.who.reads

    Teisha: @girlwritesreviews 

    Jen: @bluestockingbookshelf

    Chrissy: @blackgirlsreadtoo

    Zoë: @readabilitea

     

     

     

     

  • Review: The Cows – Dawn O’Porter

    Review: The Cows – Dawn O’Porter

    Don’t you just hate it when you pick a random book off of your TBR pile and then accidentally enjoy it so much it becomes one of those drastically transformative reads? Me neither. It’s so amazing when that happens, especially when you’re not expecting it. Well recently (i.e. this weekend) Dawn O’Porter’s The Cows did this for me.

    “Bra free, childfree, boyfriend free, have you ever committed to anything other than your laptop?”

    As a piece of contemporary fiction, it’s my kind of mix. Funny as hell, some serious feminist debate, compelling plots (and plot twists), predictable one moment but then totally unexpected the next and, importantly, it has a brilliant balance between messy, drunken, female tomfoolery and sentimentality – it’s the most entertained I’ve been by a contemporary novel in a long while. Having three protagonists (Tara, Stella and Cam) keeps you on your toes, gasping and chuckling with every turn-of-page. You’ll find yourself saying, “noooooo” a lot too, but a minute later you’ll be nodding and wanting to fist bump O’Porter.

     

    It was interesting to me in particular for a couple of reasons. It was jam-packed with discussions of female sexuality, particularly surrounding motherhood (and non-motherhood). The fact that each of the protagonists has a different opinion or experience with the same issues demonstrates a few of the multifaceted forms that twenty-first century femininity, feminism and female sexuality can take. There are plenty more of course, but it’s refreshing to hear multiple perspectives from one source. One of the ‘morals of the story’ is that just as a woman can choose to want or not want children, she also reserves the right to change her mind. Feminism is about choice, as we hear so often, but for some reason we still give women a hard time when they change their mind. Isn’t changing your mind a fundamental part of choice?

    “There’s nothing I can do to make Mum feel better, I am who I am. I’ve told her multiple times not to read my blog but she keeps doing it. If it tortures her so much she should just stop.” (Cracked me up big time, sounds like conversations in my house back when I started #Periodically. Hi Mum!) 

    On a much more personal note I enjoyed The Cows because in it I found a book that sounds a bit like my own novel – bingo! One reason I think I have been struggling with pitching my book is that I wasn’t sure how to categorise it, but now I’ve found a book that I think comes from the same family. I’m hoping reading The Cows might give me a much needed kick up the arse.

    For everything from public masturbation to motherhood, smelling of cheese to overly keen toy-boys, I highly recommend The Cows and following Dawn O’Porter’s other journalism.

    Order The Cows from Wordery with my affiliate link. 

  • Review: Hag-Seed – Margaret Atwood

    Review: Hag-Seed – Margaret Atwood

    In October 2017 I was lucky enough to hear Margaret Atwood speak and to get a book signed. While Atwood was finishing off her interview my mum ran off to buy a few books for us to get signed. Since I had already read Oryx and Crake I landed with Hag-Seed, a recent Atwood book that had somehow completely passed me by when it was published. I had never even heard of it and googled it while we queued. It’s a re-telling of Shakespeare’s The Tempest. Groovy, I thought.

    Now I’ve finally read it, I’m so glad this is the book I have signed. I will be recommending it to everyone, Shakespeare and Atwood fans or not. Hag-Seed follows the vengeful Felix (or Mr Duke) as he puts on Shakespearean plays in a local prison, all in the hopes of getting his own back on his former colleagues (now national politicians). The layers in Hag-Seed are intense, especially when you consider the layers of The Tempest. It is essentially a novel of a play of a play of a play. There might even be another few plays in there.

    Not only is it a fascinating contemporary re-imagination of The Tempest, Hag-Seed also provides some provocative observations about criminal justice systems, parental grief and, (obviously, it’s Atwood) gender. Towards the end there’s a moment involving a few puppets, and I couldn’t help but get some Angela Carter’s The Magic Toyshop vibes – I would love to know if that was intentional or not.

    Since reading The Handmaid’s Tale at high school, I have considered myself an Atwood fan, but as I’ve mentioned before I have actually struggled with some of her other books, like Oryx and Crake and Lady Oracle. The easy-nature of Hag-Seed was so refreshing and enjoyable, plus I think it’s amazing how it doesn’t even sound like the voice I usually expect to hear from Atwood. I find it really fascinating how so many diverse voices and stories can come from one writer – I hope that is something I might one day achieve myself.

    Buy Hag-Seed and other books from Wordery by using my affiliate link.